Joseph Lamar is part sage and part space cadet, part cynic and part ingénue, part saint and part heathen. He embodies conflict actively seeking resolution; synthesis giving birth to something uniquely beautiful yet universal. With song, dance and a cinematic imagination, he dramatizes a journey toward spiritual evolution; a journey still en route. If the “post-apocalyptic gospel” of Sin. [Act I] is any indication, he makes a case for the true meaning of the word “apocalypse.” It’s not an end but an awakening; it’s the collapse of paradise and the possibility of something better.